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Rodney Ewing — Ritual Game Theory Part 2


While debating demanding topics such as race, religion, or war, it is simple enough to become polarized, and see situations in either black or white, right or wrong. These tactics may satisfy individuals whose position depends on employing policies or implementing strategies that promote specific agendas for a specific constituency. As an artist, it is more important to create a platform that moves us past alliances, and begins a dialogue that informs, questions, and in some cases even satirizes our divisive issues. Without this type of introspection, we are in danger of having apathy rule our senses. We can easily succumb to a national mob mentality, and ignore individual accounts and memories. With my work I am creating an intersection where body and place, memory and fact, are merged to reexamine human interactions and cultural conditions to create a narrative that requires us to be present and profound.

Rodney Ewing (photo credit Alan Bamberger)

Photo Credit: Alan Bamberger


Rodney Ewing (b. 1964, Baton Rouge, LA) is a visual artist, whose drawings, installations, and mixed media works focus on his need to intersect body and place, memory and fact, and to re-examine human histories, cultural conditions, and trauma. His work has been exhibited at The Museum of the African Diaspora in San Francisco, The Drawing Center in NY, and most recently at the Museum of Modern Art, San Francisco, Jack Shainman Gallery - The School, NY, and Rena Bransten Gallery, SF.  Ewing is a grantee of the San Francisco Art Commission Individual Artist Grant (2016-2020) and his work has recently been included in the collection of Tufts University Art Gallery.

Rodney received his BFA at Louisiana State University in Baton Rouge, and his MFA at West Virginia University. His work has been included in numerous group and solo exhibitions, including the University of San Francisco, Alter Space, Pro Arts Gallery, SomArts, ASC Projects, Root Division, Ictus Projects, de Saisset Museum, Rena Bransten Gallery, Jack Fischer Gallery, Nancy Thomey Gallery, Frey Norris Gallery, Lisa Dent Gallery, Dog Patch Gallery, The African American Art and Cultural Complex, Performance Art Institute, San Francisco Public Library Main Branch, Swarm Gallery, and Kala Art Institute, and nationally at The Drawing Center (New York), the Veterans Museum (Chicago), Los Angeles Contemporary Exhibitions (Los Angeles), Johnsonese Gallery (Chicago), Richmond Center for Visual Arts (Kalamazoo), Beta Pictoris Gallery (Birmingham), and Greymatter Gallery (Milwaukee).

As a topic-based artist, Ewing’s interdisciplinary practice involves extensive research of overlooked historical objects, individuals, spaces and events of the Black Diaspora. His narratives explore and translate the actual and emotional dimensions of these subjects to draw the viewer in toward the piece and immerses them in a reorienting experience of images, words and ideas. Ewing’s layering of visual elements create an experience that is unique and nuanced within the context of his prints, sculptures, drawings, or installations. With his work he is creating a platform that requires us to be both present and profound in our observations.

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